Monday, April 21, 2014

The key to great writing – #AtoZChallenge


F-bomb warning


This post contains 4 glittery term(s): fkn, hell, shit, shitty.


The key to great writing – #AtoZChallenge


K - atoz The Key to ALL the things:


We often speak of the key to happiness, or the key to success, or the key to one’s heart, or the key to sanity, or the key to life.


We use the term “key” in this sense as though happiness, success, hearts, sanity, and life are locked away and require something outside ourselves to create availability.


Can you imagine?


A physical object necessary to prize open my own happiness!


Locks and Keys

Locks and Keys, by non-fiction children’s author and illustrator Gail Gibbons



Ha! Talk about depressing.



About 4,000 years ago, the first mechanical lock, a lock with moving parts inside, was made in Egypt. This first mechanical lock was opened by using a key. Now you could lock your door on the outside, and no one without a key could open it. It was the beginning of locks and keys…

~Gail Gibbons, LOCKS & KEYS



What about a skeleton key?


Instead of carrying a dozen keys, one each for happiness, success, hearts, sanity, and life, what if a single skeleton key existed to open all these things?


What would that item be for you?


Would it be tangible, or symbolic – an actual material object you could place in your pocket? Or an idea, thought-process, or feeling tucked away in the back of your mind?


For me – which means, this is what works for me, but may do absolutely nothing for you! – I have a list of Personal Commandments, the first of which states, “Happy is a Choice”. There are several other items on the list, but this is the one I always keep with me, as a mental totem, because it is the key to my awareness in all things. It reminds me to Do The Work. It whispers to Keep Going, and urges, Don’t Stop Starting. It reprimands, Identify Flaws And Act Accordingly.


Happy is a Choice” encompasses all these things. It is the one thing I can always fall back on. Because no matter what happens in my life, no matter how shitty things may seem, it is still up to ME to figure out how to get back on my feet.


Sure, Life may knock me down.


And sure, Life may grant me boons.


But how I choose to respond to the roller coaster ride is completely my decision. It’s my responsibility to notice the high points and be grateful for them; it’s my responsibility to climb out of any holes along the way.


It’s not up to anyone else. There’s a reason the phrase “Happiness comes from within” and it has nothing to do with other people. It’s all about YOU.


The Secret of NIMH

From the animated film THE SECRET OF NIMH.



My skeleton key is “Happy is a Choice”.



You can open any door if you only have the key.

~THE SECRET OF NIMH



The key to writing:


This little jaunt into positive affirmation and a glass-half-full perspective might seem completely unrelated to writing.


Believe me, it’s not.


A lot of pros will tell you the key to writing a great novel is character, or plot, or dialogue, or setting, but in truth it’s all of these things.


And it’s also, likewise, NONE of these things.


The key to writing a great novel has nothing to do with the keys other people give you. The key to writing a great novel is finding your own skeleton key, placing it in the door, turning the lock, and entering the world you’re trying to create.


All of which is a fancy-pants way of saying this:


The key to writing is writing.


But not just ANY writing: Writing that sets you afire and causes your characters to glow.


Recently I mentioned two doorways – the one that ends the first act, and the one that leads into the final act – and I know I’ll get into that some more a bit later. But it’s worth mentioning that knowing your characters’ strengths and weaknesses is definitely a key to great writing.


Characters are generally shoved through this first doorway. This is the bit where they are pushed off the cliff so you can see what makes them tick.



  • THE WIZARD OF OZ – The tornado blows Dorothy into Oz. No turning back now – she’s not in Kansas anymore.

  • STAR WARS – The farm where Luke grew up is blown to fkn smithereens, along with his aunt and uncle who raised him. He has no choice but to leave, so he might as well join in the fight against those who murdered his family.

  • FROZEN – Elsa accidentally turns her kingdom into Iceland and runs off in a panic, leaving Anna to figure shit out on her own. Anna is no ruler, and she loves her sister to smithereens, so she must follow her sister into the snow-riddled world if there is any hope of restoring order to her fragile life.

  • GRAVITY – After debris knocks Explorer all to hell, Ryan Stone and Matt Kowalski are blown away into space, unattached to anything that can return them to safety. Matt’s rocket boosters {or whatever they are called} allow him to carry Ryan back to the now-defunct Explorer, and Ryan has no choice but to hang on to the end of the rope if she has any hope of surviving.

  • THE HUNGER GAMES {film} – Katniss and Peeta, as District 12’s tributes, are forced to leave their home via train and enter the opulent world of the Capitol.


P!nk TryI’m having a difficult time applying this to my own work-in-progress, THE GREENE. I already know my own personal weak points, and I have a lot of practice in pulling myself up by my bootstraps, adopting a chin-up attitude, and remembering “You gotta get up, and Try-Try-Try“.


That’s awesome when it comes to my own mental well-being.


But now I have to consider the mental well-being of the people in my imaginary world.


What are THEIR skeleton keys?


What makes them “GO”?


What moves them to tears and pushes them to continue on through adversity?


What resources do they have to draw upon which will spur them into the fire and over the cliff?


Do they have mantras? Totems? Endless supplies of cheer? Coca-Cola?


This is where I am at right now.


I need to know my characters a bit better. I have arrived at the first doorway. It’s time to throw my characters over a cliff so I can learn how they will climb back up.



  • What doorways are you working on – both personally and in your writing?

  • Do you have the key to great writing?

  • Do your characters have the key to making it through the second act?


Visit My April AtoZ 2014 Posse to see who I’m making time for this month.


Or stop by my post The Great and Powerful AtoZ Challenge Theme Reveal to see a list of all my AtoZ entries for 2014.



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Tuesday, April 15, 2014

Hey so hi – #AtoZChallenge


F-bomb warning


This post contains 5 glittery term(s): bitch, bullshit, fucks, shit, WTF.


Hey so hi! – #AtoZChallenge


H - atoz What do I mean by, “Hey so hi!”?


Simple.


This is my funny way of admitting that I am seriously behind on this blogging challenge. Acknowledging that I fell off the wagon. Paying tribute to my lack of presence. Letting you know I know you know I suck.


And I thought maybe a few words about that might be in order.


Hey so hi!


Greetings from the backside! How are things over there in Future Land? I hear that staying the course is a healthy alternative to straying into the weeds and playing in the rough. I won’t even pretend that I’m enjoying it back here where the wild things are. It’s a mess.


However, there are some neat-o postcard thoughts I’d like to share.


I did it!


no smokingFor instance, while you were trucking along with the challenge, I quit smoking. Yep! Been just over a week now since I’ve had a cigarette. So, you know, I’m not going to get all sad I’m hanging in the rear when I’ve got THAT going for me!


I also spent the weekend with my sister and did some creative outlet kinds of things, also known in my world as scrapbooking. Or, what I honestly like to call “crap” booking since my layouts generally resemble shit, when compared to the gorgeous output of my fellow scrappers.


I always enjoy spending time with my sis and catching up on things, because she is the only one who “gets” me. She validates my childhood memories, which my mom tries to IN-validate on a regular basis. Mom tends to rewrite history in very strange ways, so it’s very important that my sister and I compare notes.


I used a kit to put together my scrapbook stuff, because I’m not overly imaginative most of the time. However, I don’t always follow the directions. And by “don’t always” of course I mean “almost never” because the instructions call for ugly things that I hate. So I will put the squares exactly where they are supposed to go, and measure most of the boxes accurately, but then add decorations and whatnot as I see fit. I seldom like their wording, which I know you find shocking, so I tend to make up my own phrases. When they want me to use a stamp that says something like “Wise beyond your years” I like to use something more funny like “Bowties are cool” because my family relates more to Doctor Who than to phrases about being smart.


SMART! *snort* AS IF!


I would like to say something smart here, like that it’s okay to take a break and disappear from life. But that wouldn’t be very responsible of me. And also, it might get you in trouble if you, unlike me, have deadlines. So, yeah. Don’t take a break unless you have a good reason and be sure to let people know where you are.


Disappearing isn’t good. And missing deadlines can get you fired if you have one of those job things. I’m a bad, bad example of good blogging and writing habits. I’m like a walking list of what NOT to do.


National Sibling Day can suck it!


no fucks given

April 10. And for realz. No fucks were given.



We also briefly did a collective WTF with regard to this new and crazy thing you guys tried to slip past us called National Sibling Day . We are in agreement that you only just now made that shit up. Don’t even bother commenting that it’s been around for years, because I know you’re full of crap. Nope – zzzt – just hush. It’s not gonna work. You’re a liar and can’t be trusted.


Hey so hi, Blog!


Sorry I have neglected you. Mommy is home. Don’t jump on me. I’m allergic to your fur and bullshit.


Hey so hi, AtoZ!


I will be adding posts here like a mad woman throughout April. I want to finish on time with everyone else.


Hey so hi, Interwebz!


I can’t honestly say I’ve missed you, Twitter and Facebook. But I will make an effort to stop back in, now that I’m here. Just don’t be a bitch about it, okay?


Hey so hi, Book!


You and I have seen some rough times, haven’t we? Heh! But after that three-hour conversation with my son, wherein I explained all the plot points and the map as he enthusiastically continued asking questions, I am ready to leap back in. I will see you tonight. {*ooo-la-la! A secret rendezvous*}


Hey so hi, Readers!


I am still making an effort to stop by all your blogs. I’m slowly but surely going to say hello to each of you individually. Don’t give up on me. Hang in there.


And… how have YOU all been?


Visit My April AtoZ 2014 Posse to see who I’m making time for this month.


Or stop by my post The Great and Powerful AtoZ Challenge Theme Reveal to see a list of all my AtoZ entries for 2014.



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Monday, April 14, 2014

Going Places – #AtoZChallenge


F-bomb warning


This post contains 4 glittery term(s): bitch, damn, fkn, shitty.


Going Places – #AtoZChallenge


G - atoz My characters are going places.


They are going all over the damn map.


Which is funny, since I don’t really have a damn map drawn up for them yet. And keeping them straight direction-wise has been a real bitch.


There are multiple ways to keep track of your characters’ wanderings:


1. A digital spreadsheet


This is a great plan, and I can see how it would come in handy, typing in all those directions and instructions and whatnot.


But I’m a very visual person – meaning I’m not very good at picturing things in my head. It’s one of the reasons I dread playing chess – I can’t see far enough ahead to build any real strategy.


So while a spreadsheet is a great way for me to record my characters’ progress, and an easy way to refer back when I’m confused or need to double-check my notes, I don’t think it would be the most effective way to help me as I’m actually in the process of writing and trying to remember, “Is this bitch moving east or west?


Which is a question I have actually asked myself.


2. Index cards


This is maybe closer to what I’m looking for.


However, I already have an index card system in place for my outline, each card representing a separate beat, and all of them heavy with notes to keep my plot straight. Not sure I want to risk mixing things up.


I happen to be the world’s biggest klutz and have actually dropped my plot cards multiple times. I didn’t think to number them till the third time I got them all tangled up.


I’m a bit slow to learn.


So more cards = BAD PLAN.


3. Color-coded sticky-notes


This system could work. It’s what I’m using for now.


The color-coding part of the equation is of vast importance to me, because the world in which my characters live is loosely based on the color wheel, as such:


Emandine starts out up north, deep within the Red Desert, where magic has just about dried up and the folks depend upon whatever old pieces of technology have managed to hold out since the last Great War. When her mute niece, Dotanna, runs away with her friend, a talking ape named Anson, Emandine has to follow her east, into the plains of Orangeville and on toward the yellow Sunflower Fields, where a witch named Panetone resides. From there Emandine moves toward the center of the world, to The City, where she stops at Miss Molly’s.


Down south, in the heart of the Greene, where magic still thrives, Medaskal is struggling to stay hidden. After he is visited by an old friend and lover, who imparts some critical information on the Wizard’s whereabouts, Medaskal takes off westward toward the Blue watery lands, and then into the Purple Mists, with his assistant, Kephas, and a Tarot Cat named Diffel as his guide. An exchange with the witch Delarosa sends them to Miss Molly’s, where Medaskal joins forces with Emandine.


The Greene - map

The Greene: a very basic map of sorts. And by “basic” of course I mean “shitty”.



There is a lot of movement happening here and just about everyone is going places. I can’t keep it straight in my mind, so being able to see where everyone is versus where they are headed is crucial.


4. Cartography creation programs.


I haven’t found one I like – by which I mean to say I don’t understand how they work and new things are scary so I haven’t really given them a chance and my sticky notes are working just fine thank you very much.


*deep breath*


I will probably need to check out these nifty map-making apps, as my novel nears completion and my characters continue going places. So if any of you are experienced in this type of thing, I’m not too proud to beg:


HALP.


I’m curious:


How do you keep up with your people? Or do they not travel much? That is something I may need to consider in my next project – making everyone stand still and do all the journeying in their minds.


Because maps are fkn hard and I’m not exactly an experienced orienteering geek.


Did I ever tell you about the time I was wearing night-vision goggles and I almost fell off a cliff? And how I only narrowly avoided such death thanks to a severe bout of claustrophobia that saw me tear the goggles from my face – at which point I noticed I happened to be standing at the edge of a precipice?


THAT REALLY HAPPENED, YOU GUYS.


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Wednesday, April 9, 2014

The End is Nigh – #AtoZChallenge #ROW80


F-bomb warning


This post contains 4 glittery term(s): damn, fuck, fucking, shitty.


The End is Nigh – #AtoZChallenge #ROW80


What do you mean, “The end is nigh”?


E - AtoZ It seems ironic to speak now of the end of things. We are only just starting the first FULL week of both the AtoZ Challenge and Camp NaNoWriMo .


And yesterday was the beginning of Round 2 for participants of A Round of Words in 80 Days {#ROW80}.


To say “The End is Nigh” seems like rushing things a bit, given our proximity to the start line. But it’s something we all need to think about, both writers and non-writers alike.


Especially when we’re so far behind.


Who ME? Behind?


With AtoZ I am a couple days off schedule. By which I mean to say, I’m a WEEK off schedule, because I had meant to catch up over this last weekend. But really, then, I’m TWO weeks behind, because I’d meant to start off a week ahead.


With Camp NaNoWriMo — um, yeah. I haven’t even added a single damn word to my work-in-progress. Which sucks, obvs. Because I have mad enthusiasm for the project, and serious plans, and lots of ideas.


Just, you know, I haven’t gotten around to it yet.


Oh, and I missed Insecure Writers Support Group {#IWSG} last Wednesday, too. You know, while we’re on the subject of shitty fails.


At least I’m not completely behind {yet} with #ROW80. Yesterday we were urged to state our quarterly goals. Which is a great place to jump into talking about my novel.


Here’s the thing.


end is nigh

“REPENT: THE END IS EXTREMELY FUCKING NIGH” — image still from the excellent zombie film 28 DAYS LATER.



You really need to begin with the end in mind.


That’s what I mean when I say unto thee, “The end is nigh.”


Sure, the phrase actually means to imply that we are coming up on the conclusion, those magical words, “The End”.


I get that.


I’m taking a bit of artistic license here.


GO WITH ME.


LOCK it up.


Plot & StructureJames Scott Bell , in his writing guide PLOT & STRUCTURE, says you really only need four specific items when putting together a plot.



I’ve developed a simple set of foundational principles called the LOCK system.

LOCK stands for Lead , Objective , Confrontation , and Knockout .



An interesting and compelling main character , with an intense desire either to get something or to get away from something , must overcome opposition in such a way that the story’s questions arrive at a satisfying resolution and leave a lasting impression .


Bell also points out,



A weak ending can ruin an otherwise wonderful book.

A strong ending can redeem an otherwise mediocre book.



In order to reach that knockout finale, try this:


end of the beginning1. Draft multiple alternate endings.


2. Write the back cover summary of the book, and then answer the questions:

…Can the main character escape and/or win?

…Will the main character overcome the opposite and triumph?

…How is the main character going to resolve all the issues?

…What happens to everyone else?


3. Consider what sort of feeling you want the reader to take away from the story.


Whether you are a plotter, a pantser, or a tweener, you should have some idea of where you are headed.


You’re the only one who can tell us.


What about those goals?



  1. FU the endFirst and foremost, I need to get a fix on how I want my book to end. Especially since it’s the first in a series. Currently I only have the most vague of impressions, some scenes I know will take place, some deaths and sacrifices, and an important discovery. The rest is all a bit murky. That’s not a good thing. Remember: The end is nigh.

  2. During the month of April, I plan to complete my rewrite of Act 1, regardless of word count, although I do have myself signed up to hit 36k words for Camp NaNoWriMo. Whatever happens, happens.

  3. For the duration of Round 2 of #ROW80, which runs through the month of June, I plan to complete Act 2, up to and including the midpoint.

  4. Throughout the months of July, August, and September, I plan to complete the rest of Act 2, or what I like to refer to as Act 3, since I work from a 4-Act structure but I digress . *wink*

  5. I would like to hit “The End” before 2014 wraps up, but we’ll see how that goes.


Visit My April AtoZ 2014 Posse to see who I’m making time for this month.


Or stop by my post The Great and Powerful AtoZ Challenge Theme Reveal to see a list of all my AtoZ entries for 2014.


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